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Fall 2008 - Volume 4, Number 3
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The DGA Interview:
A Storied Life
Since coming to America after the Czech Spring in 1968, Milos Forman has been committed to making movies about individuals fighting for their rights in films like One Flew Over the Cuckoo’s Nest, Amadeus and The People vs. Larry Flynt.
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Panning for Gold
The Beijing Olympics was the most watched event in U.S. TV history. Here’s how the directors captured the drama of competition with split-second decisions.
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Buried Treasure
It took a swashbuckling director like Gore Verbinski to go off to the four corners of the world to film the two sequels to Pirates of the Caribbean back-to-back.
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In the Screening Room:
Falling in Love Again
Everyone loves Annie Hall, but according to Ed Zwick it’s more than just a charming movie. He explains how it revolutionized romantic comedies.
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When in Rome
Federico Fellini created a visual style that was unmistakable in the history of cinema. In rare set photos, we capture the Maestro at work crafting some of his unforgettable images.
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Daily Life
With all that’s going on in any given day on The Daily Show, it’s a wonder that the set is so calm. In part, that’s because director Chuck O’Neil and his team keep everything running on schedule.
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Profiles
On the Job With…
Idol Manager, Commercial Pressure, AD in the City.
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Independent Voice
The Bee Season
After scoring a hit with Love & Basketball, it’s taken Gina Prince-Bythewood eight years to make her second feature, The Secret Life of Bees. She explains what happened.
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10 Questions
Power Producer
Producer Brian Grazer talks about how he hires a director, the importance of vision, and why visiting the set is meaningless.
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Funny Business
The Not-So-Wild Life
The director of Talladega Nights and Step Brothers wonders what’s happened to the glamorous life—and if it ever existed.
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The Industry
The Trouble with Indies
Cutbacks and a shrinking market have left the indie world in a quandary. So what’s a director to do?
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Shot to Remember
Devil’s Playground
William Friedkin recalls with amazing detail how he directed the horrifying climatic scene of The Exorcist.
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